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Sunday, April 20, 2014

Buffalo Springfield - 1968-04-20 - Dallas, TX (SBD)

Buffalo Springfield
1968-04-20
Market Hall
Dallas, Texas
Soundboard Recording
320 kbps
Artwork Included

01. Rock And Roll Woman
02. A Child's Claim To Fame
03. Nowadays Clancy Can't Even Sing
04. Uno Mundo
05. For What It's Worth
06. Bluebird

Note: Opening act for The Beach Boys


Combine 2 parts USA with 3 parts Canada and what do you get - Buffalo Springfield, a band that lasted less than 3 years but was one of the most influential in rock history. Stephen Stills was born in Dallas, TX but being part of a military family, spent parts of his youth in Florida, Louisiana, Costa Rica, Panama Canal Zone and El Salvador. He started his music career in New York singing in Greenwich Village where he met Richie Furay. Furay had been born in Ohio but also came to New York to pursue a musical career, He and Stills played together in the Au Go Go singes, the house band at NY’s famed CafĂ© A Go Go, and a a group called The Compnay, which at one point went on a 6 week tour of Canada, where they met Neil Young. Neil was born in Toronto on November 12, 1945. he played in several bands in Canada in his teens, including a group called the Mynah Byrds, where he met bass player Bruce Palmer. Palmer had been born in Bellville, Ontario, Canada. When the Mynah Byrds broke up, Young and Martin drove Neil’s hearse to California, in hopes of locating Stills. Around that time, Stills and Furay had moved to Los Angeles to try and jump start their music careers. Legend has it that Stills met Young in traffic in Los Angeles, when the former recognized the latter’s hearse. Dewey Martin, who had also been born in Ontario, was also in Los Angeles at the time, having spent time previously in Nashville, Las Vegas and the Pacific Northwest. He was working in LA for a band called The Dillards, who decided to cut him loose but gave him the phone number for band that needed a drummer. Martin signed on with Stills, Furay, Young and Palmer, becoming the final pieced of the legendary Buffalo Springfield. This soundboard recording captures the Springfield on April 20, 1968, 46 years ago today, in Dallas. Just a little over 2 weeks later, the band would play their final show, disbanding for over 40 years before a brief reunion on 2010/2011. Their time was short, but their legacy has been everlasting. PS - thanks to Rock Rare Collection for the artwork.

















20 comments:

Anonymous said...

Thanks a lot for the Springfield Speedy, Is Neil on stage for this?

Anonymous said...

Is Neil at this show ? thanks Speedy

Anonymous said...

I don't believe Neil Young is with Buffalo Springfield at this show.

Allan R.

speedymjb said...

Sorry - I don't know if Neil was on stage for this one.

btsacto said...

Neil was long gone by this time - he didn't even play at Monterey Pop.

Anonymous said...

thank you for all that you do with your great blog speedy, you have given music lovers like me an outlet which is really appreciated. With all of the discussion lately about official releases being doctored in the studio, I went on line and found many forums that discussed this. I was shocked to find that almost all the live albums that I grew up loving and listening to have been doctored , some more than others. I feel deceived. Live should mean live. they don't even put anything on the cover to allow the consumer the option of whether or not to purchace the album by simply stating that it has been altered. in my opinion that is false advertising, your opinion and feedback would be appreciated, why do you feel artists or record companies do this. Thanks again

speedymjb said...

While its true Neil did not play at Monterrey Pop, he did rejoin the band after that. That said in 1968, Neil was in and out with the band, so its not easy to tell which shows he was at and which he skipped.

speedymjb said...

I've discussed this many times - artists have the right to do whatever they want with their material. If they want to add studio overdubs, or mix tracks from multiple shows, it’s their music and they have that right. Do I wish they would tell you? sure, but I also think it has only become an issue in the last 5 to 6 years when the ease of trading unreleased shows on line has become so prevalent. Back in the day when most of those live albums were released, few of us had access to live recordings and so we were glad to have anything live we could get our hands on, regardless of whether it was remixed in the studio. As I have no control over what the artist or record company does, I choose not to worry about it. Instead, I simply enjoy the wealth of live unofficial material at my disposa

btsacto said...

I take my comment back - pulled out the books - Neil IS on this recording (you can hear his voice at the beginning of the first song) - his last performance with BS was May 5, 1968 in Long Beach. My bad. ;)

Anonymous said...

maybe had we known that these deceptions were going on way back in the day about live recordings we would not have enjoyed them as much as we did so perhaps ingnorance was a good thing. Today since discovering all this great undoctored live stuff , cant listen to the old stuff anymore. For me the worst was hearing what was done to get your ya yas out. Mick completely redid all his vocals and a lot of Keiths guitar was redone as well. Plus it was imcomplete and the songs were out of order. The thing is Artists don't need to do this. if you are good enough live it will come thru and if you have an off night that just proves your human and that's fine as well. Live rock music wasn't meant to sound like it was in a recording studio

Anonymous said...

Many people who discuss the overdub issue on these forums disagree as to which ones were and which ones weren't altered. It just adds to the confusion. you can drive yourself nuts worrying about it. I do agree however that if overdubs are on a release then the record companies or artists have an obligation to let the public know that in advance by noting it on the album or cd cover. the person could then decide if they wanted to purchace it or not. If its illegal to post live material after its been officially released then the same rule should apply to not being honest to the buying public.. The bottom line is trust only bootlegs and you don't have to worry about this stuff, right Speedy ?

waitsfornoone2005 said...

Just discovered your website. This is wonderful! Thanks for doing all of this.
Regards, Dave.

speedymjb said...

Enjoy! And come back often!

Anonymous said...

With all of the comments and discussions about those awful overdubs on so many previously beloved live albums of our youth it is with great joy that I recommend the bright record label releases of many Doors live concerts, complete with apparently no editing and even worse overdubs . Morrison has been gone for over 40 years so that would be very hard to do. many of the shows sound raw with some sounding better than others, Important note, You might want the kids to leave the room during some of these shows as they show a very uninhibitid Morrison completely uncencered which can be very explicet . Also the Hendrix family has been releasing many of his live recordings as well, apparently with no studio tampering

JD said...

Thanks for this one Speedy!

Dave

speedymjb said...

You're very welcome Justdave!

Anonymous said...

This looks really great - but the links are no longer active. Is there any chance of re-upping active links? Thanks in advance :)

speedymjb said...

new link is up - enjoy!

Carlos said...

Would you please update link, Thanks

speedymjb said...

New link is up! Enjoy!

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